Темвременем как мы ждем презнательные покозанея от рыле д. велемнса свежеестпеченый слешрежестсер реза поведывоент как проесходила конпеляцея свежедропнутого шлягера двухлентей свежесте. Тогда НЛК еще не боялсо пользовотсо електричесткой почтой!
The Kanye track was actually written for the film. I invited Kanye into the editing room, and I showed him the scene [where Lucy Liu’s character comes around the corner wearing a gown], and it already had the music underneath the scene. And I wanted him to write a song for it. He came in to see the scene, and he loved it. And he was like, ‘Yo, I’m gonna bless it. Trust me.’
So I took the track, which was more score [at first], and not as elaborate as what we ended up with, it was more just the soul Stax sound that we had. [I gave him the track], and I sent him away. We would communicate every few months, because it took about eight months to get all this music together.
And about six months in, I was inside what’s called the sound stage. See, some of these songs are in the movie itself. Some are not. This is in the movie. But the only way to get it in the movie is to have it in by a certain day, because the movie closes [production]. And about one week before the movie closed, Kanye sent the song.
We were happy, because we already had a version of the scene without it. But I emailed him one more time, because he had told me the verse maybe a month earlier, and said he didn’t finish it, but was like, ‘I’m goin’ in, I’m goin’ in.’ And then, when he finished it and sent it to me, I was like, ‘Oh yeah, he went in.’ I think he [rapped] great on that song.
If my time allows me, I’m gonna try to slip down there to Hawaii to hook up with him.