Скот розуждаент по чему его корьера покотилась по говно и сообщаент зо чем решил вернутсо к репчику, зоевляент что отменил MOTM3-ри о плостинка что нас ждет лентом будент бестплатной, поведывоент как преложил рот к The TLOP of Pablo, оповещаент что уйдет но пенсию как только изнечтожет всех нигеров и еще там. Кокие то норкоманские бредни.
So you just put out “Frequency” and “All In” on SoundCloud. It feels like a fresh take on your Man on the Moon stuff, which is way different than your Speedin' Bullet 2 Heaven album you just dropped.
Anytime you do an album like [Bullet] and you’re exploring, it’s stressful. I wanted to get back to having a little bit more fun. I always had the most fun when I was just rapping, because it’s easy. But I’ve come to find that people think I’m completely terrible, since I haven’t rapped in years. They’re so naive. It never really bothered me. But when I came back from my quest, I looked around like, “These are the new hot ni--as. This is what y’all think is the best shit? This shit is not that dope.” But where I ruffled some feathers was when I’d have an outspoken opinion about hip-hop, but I‘d have a guitar in my hand. I wasn’t even a part of the genre at that moment. I can’t talk shit while doing rock music. That pisses people off. So if I’m going to say shit is fucked up, I have to have a solution, which is the music. And I have a lot of solutions to fix the inauthentic nature of the business right now. Without me in it, Gotham City suffers.
So no more indie rock Kid Cudi?
Speedin’ Bullet was my last outing as the dark, depressing character that people place me as. I needed to get that out of me and that was the only way I could do it. I didn’t want to come back to hip-hop making that type of music. We did that already.
People say, “Do Man on the Moon 3!” Yeah, I could’ve done that. But it wouldn’t have been anything anyone liked. It would’ve been forced. I’m not in a rush. I have six major-label albums. Artists don’t get that anymore, especially with the weird shit that I do. We have been blessed to be in the game eight years later.
You seem much happier -- and you’re back to rapping. What happened?
I really came out of that drug shit. People don’t know how real it was. I used drugs to try to fix my depression. It’s funny. When I got arrested [in 2010 with cocaine], people said I was an addict. But I was never an addict; I was just on a ride for a little bit. Playing rock was my way of saying, “F--- everyone.” It wasn’t well-received … The last thing I was catering to was the world.
Speedin’ Bullet wasn’t a commercial success. Making it helped you through a tough time, but does it hurt that even your “true fans” didn’t buy it?
I’m thinking, “Man, I’ve done all these albums. Where are the people who bought Indicud or the others before? Who have I been making music for?” [When an album doesn’t sell well] it makes you question yourself. As an artist, I’m always questioning myself. But this was the first time that I questioned my fan base and if I even have one at all. Who are these people?
That’s why whatever I do next will be free. And I don’t even feel obligated to do Man on the Moon 3 anymore. As of right now, people should just get that off their mind. That’s not ever going to happen. It’d be different if the first two were platinum. They’re not even platinum! Man on the Moon 1 is like 860,000 sold. It’s hanging on by a thread.
Just to be clear, Man on the Moon 3 is not coming, ever?
Guys, you have to realize: I came up with Man on the Moon when I was a young man. People change their vibe! We can follow the same template and do the five-act split. Sonically, I’m still going to be where I’m at. Honestly, I was ready to live up to the obligation and do Man on the Moon 3. I haven’t been dicking around. I was planning on doing it after Speedin’ Bullet. But the Speedin’ Bullet response tore me up. It made me realize what’s most important. I’m getting back on the bike again and doing what I do best: me.
So there’s no date or timeline for your next project? You’ll just be shooting new cuts off on SoundCloud?
I’ve never been a guy to flood the market with music. And I’m not saying I’m going to start doing that now. But I will be a lot more generous. I’m not saying I’m doing an album right now either. People’s expectations go crazy. That’s why I'm just throwing songs out there. There’s no pressure from me. Just wait for it. I’m not in any rush. That’s why I’m doing the shit for free. And for it to be the best shit of the year, it’s just a checkmate.
Three years after leaving G.O.O.D. Music, you’ve been back working with West. How has it been?
Me and Kanye are brothers. With family, there’s always going to be issues and shit. That was the first time I had been around him and his team in a while. In order to get back into the creative process, we had to talk. I’m not one of those people who’s just going to come around after a while, jump in and make music. We needed to have a big bro, lil bro convo. As soon as we had that, we were good. Whatever we were dealing with, it was a beautiful thing to clear the air about. I’m really happy to be back working with my friends.
I’ve been working alone and people don’t understand the magic that happens when me and Kanye are in the room. Lil Wayne and Drake have 1000 songs with each other. ‘Ye and I have speckles. Maybe we’ll both be in the same place at the same time and be like, “Let’s do this” and have 30 songs with each other. But for now, I’m just happy to lend a hook. The last thing I want to do is write a rap for someone else’s song. I’d much rather have a hook and fall back. And that’s what Kanye wants from me. I sing and Kanye ensures me that it’s dope.
Did you enjoy that process? You’re on “Father Stretch My Hands” and “Waves.”
I enjoy creating. The first song Kanye sent me is “Waves.” He sent me that in December. It was different than it is now. I remember one night we were all just sitting there and I was hoarse from a show the night before where I lost my voice. I was in New York listening to the latest edit. Chris Brown was already on it and we were thinking about how we could make it better. Chris really has this amazing voice. But there were all these ad-libs around it. So I cleared out all the extra and let’s just hear him. That’s ultimately what you hear now. We all bounced ideas around and came up with this minimal version. Once we got that, I hummed on it a little. Kanye had been working on that album for a while. And as you can see, it’s still changing. That song wasn’t even going to make it. But I was like, “We have to do something.” And then Chance the Rapper pushed. And Mike Dean and Plain Pat were key players, too.